by Erica Miner As a writer, I am not a pantser; quite the opposite, in fact. My writing methodology reflects my approach to honing my craft in my former life as a musician. In practicing music, whether as a soloist or as a violinist in the Metropolitan Opera Orchestra in New York, planning was always key. This remains true in my writing life as well.
Writing a novel is much like practicing a concerto or a Wagner opera. Both require a slavish devotion to perfection, with one important distinction. In a concerto, you’re perfecting a piece written by someone else. With a novel, you’re creating your own personal material, and starting with a blank slate. That means meticulous planning. And it all starts with an outline. In a mystery novel, plotting is more complicated than in other genres. Like a jigsaw puzzle, if one piece doesn’t fit exactly, the entire plot is in danger of falling apart. In addition, two important elements must be determined before you can start writing this type of story: the ending, and the identity of the villain or perp. I also think in terms of starting with the ending and working my way backwards to make sure each plot point fits logically with what came before it. When I write my outline, the broad strokes come first: seven or so large beats, the bones of the story. Then I start to expand the beats into detailed plot points. Eventually, I create an in-depth beat sheet of each scene in the book, from beginning to end, making sure to include the characters’ emotional arcs and interactions and relationships with each other as part of every beat. Once I have a rough draft of my outline, I dissect my plot as I do my music, slowly examining every word as I do every note as if under a magnifying class. Without an outline, this would be impossible to accomplish. Writing an outline is very labor intensive, but the rewards are great. It’s a wonderful feeling when I finally allow myself to use this blueprint to write the actual novel. Plus, I have the outline to refer to during the process, adding or deleting, changing, and refining as I go along. Is it any wonder that I outline meticulously? Former Metropolitan Opera violinist Erica Miner is an award-wining author, screenwriter, arts journalist, and lecturer. Her debut novel, Travels with my Lovers, won the Fiction Prize in the Direct from the Author Book Awards, and her screenplays have won awards in the WinFemme, Santa Fe and Writers Digest competitions. Based in the Pacific Northwest, Erica continues to balance her reviews and interviews of real-world musical artists with her fanciful plot fabrications that reveal the dark side of the fascinating world of opera. Aria for Murder, published by Level Best in Oct. 2022, is the first in her Julia Kogan Opera Mystery series. Prelude to Murder, the sequel set at the Sante Fe Opera, was released September 2023. Book three,taking place at the San Francisco Opera is due for release in 2024. https://www.ericaminer.com
3 Comments
3/22/2024 01:22:15 pm
I admire people who can outline. I wrote a nonfiction book with an outline, and it was so easy to follow; the writing just flowed. But I can't seem to transfer that skill to my fiction. Whenever I try to do an outline, it goes out the window after the first few chapters.
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3/22/2024 03:00:42 pm
Erica, you show us your creative process so beautifully here. It inspires me, as I am quite a few steps behind you on the journey to publication, and I, too, outline. It gives me a structure to write into. Something about thinking of it like I'm creating music touches a chord. I like the hum of that. Thanks.
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4/11/2024 01:29:11 pm
Erica,
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