
Historical, Amateur Sleuth, Traditional
HEAT WAVE
Maureen Jennings
Paradise Cafe Mysteries #1
July 1936. Toronto is in the grip of a deadly heat wave. Horses are dropping in the street. Charlotte Frayne is the junior associate in a two-person private-investigation firm owned by T. Gilmore.
Anti-Semitism and murder in "Toronto the Good” in the depths of the Great Depression provide the historical background for this satisfying mystery. The fabric of the City of Toronto is as fully realized in Heat Wave as it is in all the Detective Murdoch books.
A hate-letter is delivered to Charlotte’s boss, who leaves the matter in Charlotte’s hands to investigate. On the same day, Hilliard Taylor, a First World War veteran who, together with three other former prisoners-of-war, operates the Paradise Café, seeks the firm’s assistance in uncovering what he believes is the systematic embezzlement of the Café. These two events, seemingly unrelated, come together and bring to life characters as real to the reader as those of the Detective Murdoch series.
The first book in the Paradise Café series, featuring Charlotte Frayne, Heat Wave promises fans of Maureen Jennings’s mysteries the beginning of a long and enjoyable relationship.
. . .
"Maureen Jennings is not only just about the best crime novelist in Canada, she's among the best writers anywhere -- a national and international treasure."
~ London Free Press
"The plotting of this novel is seamless. There's only 240 pages but we solve not one but two mysteries and learn a great deal about the protagonist and the supporting characters in her life. Nothing is rushed or glossed over; the storyline climaxes in a short yet action-packed few pages, and our journey to that point wasn't totally unpredictable, but enjoyable nonetheless."
~ I've Read This
"In contemporary fiction, the millennial-aged single woman is often a character through whom we identify our own paucity and miscalculations: the lack of children, money, stability or foresight providing a plot in which to flail. What a relief it is then to spend time with a protagonist who isn't defined by the traditions she rejects - in the summer of 1936, no less."
~ Carly Lewis, The Globe and Mail

