I am a cozy mystery writer who decided one day to write what I call a historical cozy.  I enjoy reading historical fiction, but I would never consider myself a historian. But I loved the idea of using a historical event as the setting for a cozy mystery. That’s when Dot Morgan became my latest heroine. I placed her in the early sixties and gave her the not-so- glamorous job of secretary. This occupation was a splendid vehicle to put her in various work settings, but always in her small town in Texas. It also meant Dot would keep losing her job. To date, she’s lost three jobs, yet amazingly keeps getting hired.
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In the second book in my Swinging Sixties Series, If I Had a Hammer, I placed Dot and her cousin Ellie on the grassy knoll on November 22, 1963. Think about the writing hurdles here. Everyone knows this scene because they have seen it or read about it countless times, both in fiction and nonfiction. The assassination of John F. Kennedy is an event that some generations use as a “Where were you?” moment. Readers know the history of this day, so the thought of getting it wrong is not something I wanted to do.

The writing challenge was intimidating since my cozy characters pretty well plotted their lives around bake sales and beauty shop gossip. A presidential assassination brought a very non-cozy element into my story. I took a cue from historical writers and immersed myself in research. I studied black-and-white photos of the people who stood along the parade route on November 22 and then wrote my two characters in the middle of them. They were elbow to elbow with people in headscarves and boxy black glasses.  As the motorcade approached, I focused on my two young women.

What would they be thinking before the assassination?

They would look at Jackie Kennedy. My mother was obsessed with all things Jackie. She bought clothes in Jackie style and even mimicked her hairstyles. Yes, these characters would look at the first lady’s outfit and feel the way I remember my mother feeling. They would have great respect for a woman they had never met. They would refer to the president and his wife as Jackie and John, as if they knew them personally.

When the shooting started in my story, I zeroed in on Dot who was winding the wheel of an Instamatic camera. My reason for doing this, instead of her witnessing the entire horrific scene as her cousin did, was to keep Dot’s viewpoint at a safe, cozy distance. Ellie, the cousin, sees the whole thing and goes through PTSD after this scene. Dot, who I’ll need to solve a murder in her small town, remains a bit more removed. She never looks up, but only through the eyehole of the lens, and then to the wheel on the back of the camera to forward the film roll.

Cozy mysteries are about a sense of safety in the middle of a murder investigation. Miss Marple was rarely in danger, and if she were, she carried knitting needles. In writing a cozy historical mystery, I put my characters in a little more danger than Agatha Christie did, but they are still cozy with their three-network television, wind-up watches, and Instamatic cameras. I typically borrow more from Mayberry than the realities of that Dallas parade route in 1963.

After this book, I put Dot to work in a radio station in Listen, Do You Want to Hear a Secret? and in 2025 she’s working in a funeral home in the upcoming release, I Can’t Get No Satisfaction. It was the only job she could get because people kept dying in her other jobs.

Dot Morgan tackles the sexism and racism of the sixties, along with overcoming her own stereotype of being a young, attractive, blond secretary (she must be simple-minded because she’s blond). I love including the history of this period because it gives my cozy mystery another layer of story. But don’t worry, even historical cozies will have plenty of bake sales and beauty parlor gossip.
 
 
Teresa Trent writes the Swinging Sixties Cozy Mystery Series as well as several other cozy mystery series from her home in Houston Texas. She is also the voice of Books to the Ceiling, a podcast that features narrated excerpts from new mysteries coming onto the market.  You can find her online at teresatrent.com and teresatrent.blog.

I got hooked on reading mysteries early. My dad was a sea captain on a cargo ship and his ports of call were along the eastern seaboard of the United States. I’d give him a list of books I wanted, and he’d scour the bookstores for me. He’d come home with Trixie Belden, Nancy Drew, and Hardy Boys books. The characters were kids a little older than me, and the mystery was something that had to do with family or friends.
 
Soon enough, I moved on to Agatha Christie, followed by Carolyn Hart and Sue Grafton. Those were books that made me stop and say, “I want to do this one day”.
 
Why did I read mysteries so much?
 
There was a puzzle to be solved. Often, there was a murder. And figuring out who did it kept me turning the pages. I loved, absolutely loved, figuring out who did it. But more than that, I needed to know why.
 
The main characters were always someone who tried to do their best and come up with answers. They weren’t always police officers, sometimes they were just regular people. Women were smart, resourceful, and courageous. They solved crimes differently than men did. And they didn’t wait around to be rescued by some guy. They did it themselves.
 
The mysteries I read took me to different places around the world, far from my small village along St. Mary’s Bay. The details provided by the authors painted the settings well.

Mysteries provided me with an escape, one page at a time. Justice was served. The bad guy/girl got caught and sent away. 
 
In my first book for Level Best Books, Death at the Scottish Broch, I’ve worked to include the pieces of mysteries that I’ve enjoyed as a reader.
 
My main character, Dr. Mia Reid, is an archaeologist. She’s smart and resourceful. And not afraid to stand up for herself, her students, or for Ethan, the victim in this book. Ethan isn’t only Mia’s colleague; he’s a good friend. And his death rocks Mia to her core.

Mia digs deep to learn who killed Ethan and why they did. She also defends him against charges of artifact smuggling. She’s determined to clear his name and solve his murder.

The supporting cast of characters helps the story unfold. Mia can lean on them for feedback and a different perspective. They include locals from the Isle of Skye; the students working with Mia on the dig; Mia’s Gran back in Lakeview City; and Mia’s former lover, Luke Forbes, who’s now working for Interpol. Each of them contributes to the narrative in their own way.
 
The location for Death at the Scottish Broch is the Isle of Skye, in Scotland. It’s a magical place. Brooding mountains, green valleys, waterfalls, lochs, and the people. And it’s a little remote. You take a ferry or cross a bridge to get there. The area where I’ve set the dig is rugged, windy, and isolated. A perfect setting for a mystery.
 
 
So, yes. Mysteries matter. They can entertain, educate, and provide the reader with an escape from everyday life.  
 
If my books provide a reader with a few hours of entertainment and escape from the real world, I’m happy.
 
Thanks for reading!
 

Rose Kerr writes mysteries featuring strong, smart, women protagonists who must draw on their wits and resourcefulness to solve the crime.

Rose was born in a small community in Nova Scotia and has traveled across Canada.

Her working career included employment in figure skating, non-profit organizations, and in distance education.

More recently, Rose and her husband have moved to Southern Ontario. When she isn’t writing, Rose and her husband enjoy exploring the new region.